Showing posts with label John Denver. Show all posts
Showing posts with label John Denver. Show all posts

Friday, April 22, 2011

Several Species Of Small Furry Thoughts - Whatta Day!

Yesterday was one of those days when so many good things happen that you just wait for a tap on the shoulder. It never came. It started with the reception for CMHOF (The Colorado Music Hall Of Fame) before the John Denver celebration concert at the 1st Bank Center in Broomfield. I went to the upstairs bar area which is one of the places displays of the CMHOF will be gathered. Here, it was all about Red Rocks. The inaugural class of the Hall is made up of John Denver and Red Rocks Amphitheatre. I can think of no two more deserving entities. With every season and every show I attend (and it has been hundreds) I realize what a completely unique and magical place Red Rocks is. Seeing a concert at Red Rocks transcends the normal consumer-oriented rock and roll industry experience. It is a communion with nature, and artists almost always recognize this and play differently there. As I was walking in, and during the reception, I could hear the Boulder Philharmonic and various performers sound checking and running through that evening’s show. I was immediately startled by the full sound and beautiful arrangements culminating with a wonderful “Country Roads.” This was going to be a powerful musical experience. I schmoozed up a bunch of nice and interesting music industry insiders before making my way downstairs to the North lobby of the events center. The crowd for that night’s show was starting to really pour in to the arena. I’m not sure what I expected the crowd to look like. For the most part they were my age and older, but the diversity was surprising. I saw way more bona-fide hippie types than I expected; lots of guys with long graying hair. There were also lots of people who seemed to know John Denver from his television and film roles. Ultimately, that is the thing that makes John Denver such an interesting and singular figure. He was not a rock star, he was not a movie star, he was not a pure folk singer, he was not just an environmentalist, pilot, humanitarian, poet, family man, etc, etc. He was truly an American Renaissance man: a celebrity in the largest sense of the word. Almost a Will Rogers type figure. 
There in the North lobby are two huge display cases containing an amazing variety of John Denver memorabilia: everything from a beautiful guitar to handwritten lyrics, gold records, stage outfits, photos, and records, all put together in a museum quality case curated by Hall director and Colorado music author and historian G. Brown. I stood there for a few minutes with dozens of other people staring up at all this cool stuff. I became aware of a woman standing next to me taking photos of the cases. When she took the camera away from her eye I saw tears running down her face. I moved on and heard more people making emotional exclamations. As I headed for the door a woman grabbed her husband’s arm when she saw the display and said “Oh my God, It’s him, I’m going to cry.” I have been telling my employees for a long time, that they should never underestimate the passion that virtually EVERY artist ignites in their fans. John Denver was not just any artist. He had a profound effect on millions of people. He represents something good and unspoiled from a confusing and misunderstood era. We could all use that clarity once in a while – no? 

So I ran out the door and tore across town back to Twist and Shout for The Denver Post/Reverb Magazine’s “Fermented Barley Cabaret.” This event is an open call to anyone in the city to come hoist a free beer in some interesting or fun location around town every so often. I went to one at the restaurant Interstate a couple of months ago and had such a good time that I suggested we do it at Twist sometime. There was an auspicious start when John Taylor from Duran Duran came in for a shopping spree just before the event started. He loved the store and bought a huge stack of vinyl. As the crowd for “Fermented Barley” started to filter in he took it in stride, shaking hands, posing for photos and signing autographs. One might forget how HUGE Duran Duran were in the 80’s. They define a certain era and have maintained the loyalty of many fans. This crowd could not have been more different than the John Denver event. Over the three hours it lasted a couple of hundred people came and went and the crowd was heavy on bands, people who like bands, and people who like free beer. All fit in really well at Twist and Shout. It was a fantastically animated and chatty crowd - relaxed and having a good time. I love this kind of event. No pressure, just lots of like-minded people enjoying each other’s company. Kamptin from the band Chain Gang of 1974 performed a perfect DJ set for the event - heavy on 80’s-ish Duran Duran-friendly music.
As I was driving home after the event I ran over the events of the evening in my head. Live in the most beautiful place in the world - check; make my vocation my avocation -check; give free beer to the masses – check; do something to help glorify music and Colorado - check. Ahhh whatta day!

Monday, May 3, 2010

A real treasure trove of live music

The Collector’s Choice label has long been up there with Rhino and Shout Factory as one of the premier venues for well-made reissues of classic albums. They have tackled the catalogs of many bands as important as The Everly Brothers, the Association and the Kingston Trio, and as obscure as The Electric Prunes, The Beau Brummels and Fred Neil. They do an equally fantastic job with both and have quietly built up a huge catalog of desirable music. With their new series called “Collector’s Choice Music Live" they are moving into new and exciting territory. Their first four releases are all taken from deep within the Sony vaults and are each amazing in their own right. These are not radio broadcasts or spurious live recordings that are being dredged up to cash in, no these are beautifully recorded sets in front of small audiences that were often slated for release then somehow lost to time. Here is the breakdown of the first four:

Poco - Live At Columbia Studios 9-30-71 (available Tuesday, May 11th!)
Sounding almost like a studio recording, this stunning concert captures Richie Furay, Timothy B. Schmidt and company at their very best - sounding like a cross between Buffalo Springfield and The Eagles. Tthe performance has the energy and perfection of their great live album Deliverin’ but offers up a different setlist and some even tastier playing. Poco has never been given their due as an important link between country and rock, or for being one of the bands that defined the early 70’s FM sound. Highlighted by a medley of “Hard Luck,” Springfield’s “Child’s Claim To Fame” and “Pickin’ Up The Pieces” this is high energy country rock at it’s best.

Johnny Winter - Live At The Fillmore East 10-3-70 (available Tuesday, May 11th!)
This is the legendary and short-lived Johnny Winter Group that featured second guitarist Rick Derringer and which blew the mind of every guitar obsessed kid in the late 60’s. Winter’s M.O. is loud fast and over the top! It will be obvious to any listener why Winter is considered such a “heavy” guitarist after listening to the 22 minute version of “It’s My Own Fault” or an 18 minute “Mean Town Blues” whereby Winter and Derringer wring every possible note out of their axes to the point of it almost being unbelievable. It is very different from what guitarists do today, there is no restraint whatsoever as they just wail away on the blues for seemingly impossible lengths. As we played it in the store I overheard some employees remarking on the “old school” delivery and I was thinking “damn right!”

John Denver - Live At Cedar Rapids 12-10-87
Honestly, I have very little experience with John Denver. I know him, as everyone does, as the writer of huge hits, the family-oriented actor and the all-around wholesome nice folk singer from the 70s. As I listened to this double CD I was struck by the sincerity and warmth of his songs and delivery, and by the excellence of his songwriting. It is really easy to look down your nose and take for granted a song like “Grandma’s Feather Bed,” “Fly Away” or even “Rocky Mountain High” however I would caution anyone who scoffs to try and write a song like that. As someone who has tried his hand at writing songs I can say that often the simplest of emotions are the hardest to convey, and to convey them with the heartfelt clarity of “Take Me Home Country Roads” or the lovely “Annie’s Song” is a rare talent indeed. I enjoyed all four of these releases, but this one was the biggest surprise.

Hot Tuna - Live At New Orleans House Berkely, Ca. 09/69 (available Tuesday, May 11th!)
Taken from the series of shows that comprised their first, self-titled album, this release was my favorite of the four, and it provides the biggest thrill for established fans of this Jefferson Airplane offshoot. Guitarist/Vocalist Jorma Kaukonen and Bassist Jack Cassady are joined by Harmonica ace Will Scarlett as they tear though an exquisite set of acoustic blues and folk that clearly illustrates what masters these guys are. Whether it is Jorma’s intricate fingerpicked versions of Lightning Hopkins, Blind Blake or Rev. Gary Davis, or his swaggering take on folk numbers like “Keep On Truckin’ or Jellyroll Morton’s “Don’t You Leave Me here” the Tuna boys are dead-on in their capturing the spirit of early 20th century idiomatic song. There are also a handful of Jorma’s originals included that adds another dimension to this complex and talented musician. The highlight is the rarely heard “Sea Child” stretched to 10 hypnotic minutes, it showcases both Jorma’s original playing and his image-rich lyrical abilities. This release has all the magic of that first Tuna record, but it is filled with unheard songs that only expand on it’s greatness. Long time Tuna fiends are going to flip over this.

--Paul Epstein