Doug 2 (talking on the phone with Doug 1) “Who the hell
is this?”
Doug 1 “It’s me, it’s you know, it’s you, it’s us. You
know who it is”
Have you ever wondered what it would be like if you could
clone yourself and be able to literally be in two places at once? While
you’re at it why not make it three places at once, or four for that matter! If
you answered yes to that query then I have the movie for you. Harold Ramis’
comedy from 1996, Multiplicity,
explores the real world consequences of just such a situation. This popcorn
flick is quite possibly one of the most entertaining and overlooked masterpieces
of 90’s comedy.
The story follows Doug Kinney (Michael Keaton), an
overworked contractor who is having serious issues juggling his work life, his family
life, and his desperate need for alone time. Right from the beginning of the
film Doug is being forced into taking on even more than he was currently doing.
He’s missing milestone events in his children’s lives. He can’t keep an eye on
all of his issues at work. His wife, Laura (Andie MacDowell), isn’t happy with
the amount of time he has to spend with her and the kids, and he can’t seem to
fix the water heater. As his life is fumbling toward a train wreck – one that I
think we can all relate to – a solution presents itself at the Gemini
Institute. He’s working on a renovation of a scientific research facility when
he has a bit of a breakdown. After his meltdown he's approached by a scientist
who, after listening to his problems for a brief moment, offers him a
“miracle.” He offers to clone him which could give him the “miracle of time” by
basically Xeroxing him.
With very little coaxing Doug is completely on board and
after a brief science montage Doug 2 is born. The first interaction between the
two is the gloriously comedic grappling with the question of which which is
which? Who is the real Doug? On the first day with Doug 2,
Doug finds that his clone has taken the initiative and control of his job,
giving him the time to watch his son play football (even ending up coaching),
cook dinner, and even some extra time to spend with his wife. After a month or
so Doug realizes that while Doug 2 goes to work he is basically doing all of
the house work and keeping the kids under control, which is still leaving him
with no alone time and he is just as stressed out as before. The first clone
worked out so well that Doug decides that life could be even better with another clone, thus Doug 3 is
brought into the picture. Just as before, this new clone takes more pressure
off of Doug, but it isn't long before the logistics of having more than one of
himself catches up with him and everything starts to spiral out of control
quickly (and hilariously) and Doug starts to wonder where he fits into this new
life.
One of the strengths of the film is the fact that
although it is a comedy, it does tackle the existential questions that arise
from the concept of cloning fairly well. As we get to know the clones a little
better they seem to be representations of certain parts of Doug's psyche; his
masculine side, his feminine side, etc. While the clones are copies of Doug
they seem to be more segmented aspects of Doug’s entire personality, and thus
they execute Doug's life the way that that part of his inner dialogue would,
which creates a variety of interesting and hilarious issues for Doug.
While the premise and the execution of the narrative are
fantastic, the real power of the film lies in the acting, more specifically
Michael Keaton's insane ability to play four (yes four - you will have to see
the movie to find out...) different aspects of the same character. As far as
the other actors and actresses, Andie MacDowell is fantastic as Doug's wife
Laura, Harris Yulin is perfect as the somewhat hair-brained "mad"
genetic scientist, John de Lancie is completely annoying as Doug’s work nemesis
Ted, and Eugene Levy provides some amazing humor and levity as the constantly
tardy and haphazard contractor Vic. While all of these supporting characters
are superbly crafted and well-acted the true power of the film lies in Michael
Keaton’s ability to sell all of the different clones and the original Doug.
Keaton’s portrayal of the different Dougs is fascinating and captivating, by
creating subtle differences within each clone's character they truly start to
become their own separate person and it is crazy to watch!
An art film Multiplicity is not, but if you are a
fan of any of Harold Ramis' work - Caddyshack
(1980), Ghostbusters (1984), or Groundhog Day (1993) (to name a few of
his masterpieces) - or any number of other amazing comedies that he wrote and/or
directed, then this is a film to be missed at your own peril. Multiplicity
is a perfectly executed comedic journey through the trials and tribulations of
dealing with cloning in order to have more time. It sounds outlandish, but in
execution you barely think about just how ridiculous the entire concept is
because the issues are just too easy to relate to, and I can't recommend this
film enough! So pick it up and learn the answers to all of the logistical
questions that arise from literally being able to be in two or more
places at once!
-
Edward Hill
So, let's take a step back and
survey the story and our hero's and heroine's shall we? The story follows Cher
(Alicia Silverstone), an extremely popular and affluent teen, as she navigates
some of the more delicate growing experiences of teenage years. She's not that
amazing at school, but a crazy good strategist and is able to convince many of
her teachers to change her grades for higher marks through her powers of
persuasion. She's envied by many and loved by most, but unable to reach the
feeling of complete fulfillment with her life. Her best friend Dionne (Stacey
Dash), also "named after (a) famous singer(s) of the past, who now does
infomercials," is also incredibly rich and popular. Cher’s dad is an
important litigator (Dan Hedaya), and her step brother, Josh (Paul Rudd), is an
intellectual college-radio-loving pre-law student. Cher's life is pretty
perfect, driving her Jeep to class and the mall and back home to her McMansion,
but as the story unfolds she starts to feel that there is more to life than
style and flair. Through attempting to help an 'adorably clueless' new
classmate, Tai (Brittany Murphy), Cher is forced to confront a lot of the
aspects about herself that she eventually will find much less flattering than
initially thought, and she eventually finds love in a rather unlikely place.
In the end, if you are looking for
a fun evening in watching a radically enjoyably silly romp of a movie with an
undercurrent of a poignant coming of age plot, this is most certainly the movie
for you. If you haven't seen Clueless, allow me to "do something
good for mankind" and provide you with an introduction to this splendidly
entertaining piece of killer 90's cinema. If you have seen this movie, isn't it
about time you picked up a copy and revisited Cher and the crew in Beverly Hills?
I so totally think it is! 
