You know, this Michael Jackson thing got us to thinking. Why don’t we ever pay tribute to our heroes when they are alive? I mean, why do these great people have to die before we wax poetic about them? Well, here’s your chance. Pick an living artist that you love and answer the following questions about them.
Joel Boyles – T&S staff
Artist: Beck Hansen
1) How did you get turned on to this artist?
MTV aired the "Loser" video.
2) What was the first record you got by this artist?
CD? The "Loser" CD single. LP? "It's All In Your Mind" 7" (rare transparent brown vinyl!)
3) Have you seen the artist live? What was the best show?
Yes- 3 or 4 times. Favorite was when
The Flaming Lips opened for
Beck, then were his touring band! I love the Lips too so it was a wonderful concept and performance! I believe
Beck covered "Do You Realize?" and the Lips did "Cold Brains"! Magical.
5) Have you ever met this artist? What would you tell them if you were to have dinner with them?
Never have. Beck became popular quickly and thus the security was always a problem. I would tell him how tingly his voice makes me, whilst gazing into his eyes... no I would ask him to make me a one of a kind fingerpainting to go with my
A Western Harvest Field by Moonlight 10" that should have come with the fingerpainting but did not! I didn't return it since the place didn't have another one. It has bothered me ever since. Also I would suggest another slow and low album.
6) What makes this artist different than others?
Originality!
Beck always took a different approach to lyrics and song writing. He also did things his own way professionally: When he signed to Geffen, he made sure his contract let him release albums through different labels as well (
One Foot in the Grave &
Stereopathetic Soulmanure released in 1994 with
Mellow Gold) a real 1st in the music industry.
5) Why do you think this artist strikes a chord with you? This is a question about you, not the artist.
I like originality and seek it out in music. Loser was like nothing else out there and I strive to be the same (by not being 'the same').
Alan Hague - guitar, vocals for Prayers For Atheists
Artist: Operation Ivy
1) How did you get turned on to this artist?
When my friends and I were first getting into punk rock and obsessively looking into as many punk bands as we possibly could,
Operation Ivy was one of the first names we discovered.
2) What was the first record you got by this artist?
The
Energy album on cassette, which also had the
Hectic EP and a couple compilation tracks on it. Cost me $3!
3) Have you seen the artist live? What was the best show?
Never. : (
5) Have you ever met this artist? What would you tell them if you
were to have dinner with them?
In my nerdiest punk rock dreams. If I could have dinner with them, I would tell them how much I respect that they broke up at the height of their popularity, due to worries of being commodified by the music industry. I'd also ask Matt Freeman if he's actually a wizard or a demi-god, because he can play so fast!
6) What makes this artist different than others?
That I drastically improved my vocabulary by paying attention to the lyrics; that they combined punk and ska in a way that wasn't forced or goofy; and that their songs are all effortlessly anthemic.
5) Why do you think this artist strikes a chord with you? This is a question about you, not the artist.
They were openly intelligent and compassionate. They made apathy and stupidity sound not only uncool, but also dangerous. They cast a critical eye to the world and suggested that we can all make a positive change, if we so desire. Hearing that message, as a young and impressionable 12 year-old, was definitely a formative experience for me and has shaped my outlook ever since.
B. Dolan – Recording Artist, Strange Famous Records
Artist:
Bruce Springsteen. Say word. I'm takin it there.
1) How did you get turned on to this artist?
I was turned on to
Bruce Springsteen twice in life. First when I was about 10, by my Uncle Jack. That's not a metaphor for Jack Daniels. I really have an uncle named Jack. And anyhow I didn't meet Jack Daniels til I was 12.
The second time I found the Boss was almost 20 years later, on tour with
Buck 65. He hipped me to the
Nebraska album, which I'd never really heard, and I fell instantly in love with it. These days it's never far from my side, and I might even rank it among the greatest albums ever made.
2) What was the first record you got by this artist?
Uncle Jack gave me a dubbed copy of a concert recording that I've never been able to track down since. I used to fast forward through almost all of it, occasionally stopping to listen to the audience lose their minds when "Born in the U.S.A." happened. Come to think of it this may have been the first real recording of a concert I ever had. I used to lay in bed with headphones and imagine being onstage. All the girls I had crushes on from school were in the crowd. Aye.
Anyhow, I would fast forward through almost all of this tape except for "Born in the U.S.A." and "The River," and the latter was the song I really wanted to hear. I used to just rewind that song and play it over and over until I fell asleep. Even at 10 it crushed me. Without having any real adult experiences, I understood what that song was about on some level.
3) Have you seen the artist live? What was the best show?
I've never seen Springsteen live, but I do highly recommend the DVD of his
VH1 Storytellers performance. My favorite Springsteen is acoustic, and the
Storytellers performance offers some really great insight into Springsteen's songwriting process. I can say that I've learned things from that DVD that I've applied directly to the music I'm making now, and that it's made me a better songwriter for sure.
For real. Check this DVD out.
5) Have you ever met this artist? What would you tell them if you
were to have dinner with them?
Nah. I met
Huey Lewis recently though. Unrelated.
I dunno man. I feel like me and Bruce wouldn't need to say anything. We'd just sit at the end of the bar and watch the 40 year old woman sway to the jukebox. Every once in awhile we'd look up from our beers at each other and go "Yep."
6) What makes this artist different than others?
For me, Springsteen epitomizes a certain kind of American experience better than anyone else. If you're interested in music about white blue collar life then I don't think anyone is fucking with him. At best, he understands and communicates the poetry of that world without ever mucking it up or making it overwrought.
There's obvious overlap with people like Johnny Cash and Bob Dylan, but I feel like those two are taking the mundane to somewhere else a lot of the time. Many of the go-to Johnny Cash songs are taking that same experience and turning it into something mythic or archetypal, and a lot of the go-to Dylan songs are dazzling me with language and living very much in the mind, if that makes sense.
Not to take anything away from Cash and Dylan, but I think Springsteen has this very zen way of just leaving it all be, by comparison. I'm generalizing a lot here, but I think that's the distinction, for me.
"Seen a man standin' over a dead dog
lyin' by the highway in a ditch
He's lookin' down kinda puzzled
pokin' that dog with a stick
Got his car door flung open
he's standin' out on highway 31
Like if he stood there long enough
that dog'd get up and run"
-Bruce Springsteen, "Reason to Believe"
5) Why do you think this artist strikes a chord with you? This is a
question about you, not the artist.
Well, as I've said, I think Springsteen is the poet of a certain blue collar generation, and my parents and their friends fit squarely into that. Uncle Jack still swears by The Boss and
The Stones, and still works in the same warehouse he's been working in for 20 years with my father.
So, Springsteen is forever tied to nostalgia and sentimental feelings about the place I come from, in that way. It's music that reminds me of the adults I grew up around, that coincidentally might as well be about the adults I grew up around.
Also, what makes the songs last for me is the lack of romance or re-imagining. Nothing is being smoothed over in these songs. Springsteen gets the simple beauty of that life but he also gets the brutal, soul-emptying sadness. That sadness is something so fundamental I understood it when I was 10 years old, and it's truer now than it ever was.
"Those memories come back to haunt me
They haunt me like a curse
Is a dream a lie if it don't come true
Or is it something worse?"
-Bruce Springsteen, "The River"
Tell em Boss.
y hours in the day! Still, by my count I caught at least fifteen minutes of set by at least 25 artists and played a nice (if I may say so) DJ set at the Sputnik, so it was still plenty to do on a sweltering weekend, including catching 10 of those bands on the day I was gonna sleep in and catch only one and skip the rest. And then there were the bands I saw less than ten minutes of; the bands I heard in passing venues with open windows or on quick (and frequent) bar or restaurant stops. 
oo much to take in, but already I’m wondering how 2012’s festival will shape up. One thing I learned this year more than anything else was to simply keep your ears open to what people are talking about. Two of my favorite surprises in this year’s festival came from simply checking out bands that were either recommended to me by friends or that I heard others discussing in passing – ManCub and (especially) Khaira Arby and Her Band. ManCub is a Denver-based duo that does live-time – and seemingly improvised – electronic music with an array of cheap-but-cool-looking equipment, but with a mind towards keeping people dancing while experimenting with their sounds. They played a set at Delite that had a packed house inside, but as they were playing in front of an open garage-door styled window at the venue and facing each other rather than their indoor crowd, they drew as big a crowd outside to watch/hear what they did as we
ll. That’s where I was and the constant flow of traffic kept jamming up because people were stopped to watch and listen – and usually dance for a bit too. Khaira Arby is a singer from central Mali – from Timbuktu, just south of the great Sahara Desert, to be specific – and she describes her music as “Desert Rock” an attribution that doesn’t seem too far off when you hear her amazing band, especially her 22-year old lead guitarist who blew away every one of the indie rock guitarists in the audience that I spoke to afterward. For a touch of what the worn-out Sunday afternoon crowd got to see, check out this live-in-the-studio version of one of her tunes: http://www.youtube.com/watch?v=2SczbPzENDU
al music scene; how much support comes from and goes to the musicians, the fans, and the venues. It was startling how many folks I knew that I would chat with were wearing the performer’s green wristband, so I’d ask “When are you playing?” only to tick off yet another band on the schedule that I’d want to go check out later (and maybe not be able to make it to see). You can check out my sloppy photo album of the whole event here:
