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First of all, a short history lesson for those novices among us. Dave Mustaine was an
original member of Metallica. Since all four of my grandparents had heard of
Metallica and used them as an entry point for trying to relate to me when I was
a pre-teen, I’m going to assume I don’t need to explain who they are. Mustaine
was thrown out of Metallica for being too drunk and terrible all the time,
itself an impressive feat considering Metallica had been given the nickname
‘Alcoholica’ by friends and press. Defeated but undeterred, Mustaine formed
Megadeth with bass player and friend David Ellefson.
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Rust
in Peace wasn’t just about heaviness and speed. It had those things in
spades, but what set Rust in Peace
apart from many of the other thrash records of the day was its melodicism and
its technical efficiency. Mustaine stepped up the creativity that we all knew
he had (if the riffs he wrote on Metallica’s Kill ‘Em All are any indication), got clean and sober (relatively
speaking) and wrote some of the most personal songs of his career, dealing with
such topics as war, alien conspiracies and his own chemical addiction. The
songs themselves tended to be longer with frequent and abrupt time changes. Newly
added lead guitarist Marty Friedman, himself an accomplished virtuoso, helped up
the intensity and progressive nature of the songs. The record is so filled with
guitar solos that it can sometimes feel like a call-and-response wank-fest
between Mustaine and Friedman. However, structurally the solos fit well within
the epic proportions of the compositions.
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I had already been playing drums
myself for a year or two when Rust in
Peace was released. I was a Megadeth fan, but I wouldn’t say I was crazy
about them at the time. One day, I was watching a VHS tape of MTV’s The Headbangers’ Ball that I recorded off
the TV the night before. When the video for the single “Holy Wars… The
Punishment Due” came on, it instantly changed my life. I went out and bought
the album that day, and it’s remained one of my favorite albums not just in
metal, but overall. Menza’s playing in particular changed both the way I listen
to and the way I play music. I maintain that you need not be a metal fan to
regard Rust in Peace as an instant
classic or at the very least a genre milestone. Its release spawned many
tech-metal bands coming out of the woodwork and its influence can even be heard
in many recorded works from seasoned veterans such as Slayer and Carcass.
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Jonathan Eagle
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